The Other Side Of The Coin

Ruben Bertrands

After a successful Kickstarter campaign, I recorded my third album 'The Other Side Of The Coin' with Dirk Lekenne at Studio Fandango. In February 2023 I traveled to the USA to work on the record with NYC Blues Hall Of Read more
After a successful Kickstarter campaign, I recorded my third album 'The Other Side Of The Coin' with Dirk Lekenne at Studio Fandango.

In February 2023 I traveled to the USA to work on the record with NYC Blues Hall Of Famer Hugh Pool.

After two weeks in the Big Apple, I flew into New Orleans to experience my first Mardi Gras. I busked on Royal Street, went to local jam sessions, and performed at the Baton Rouge Mardi Gras Festival. During this time, I was a steady fixture at Henry Turner Jr.'s Listening Room.

In 2024, I was scouted by Spectra Music Group, and subsequently signed a record deal. 'The Other Side Of The Coin' was released in September 2024, and has received great reviews.

Ruben Bertrands: vocals, harmonica
Natan Goessens: drums
Samuel Cambien: bass
Geert Zonderman: bass
Tom Eylenbosch: keys
Ozgur Hazar: guitar
Rotem Sivan: guitar
Hugh Pool: guitar, theremin

Recorded by Dirk Lekenne at Studio Fandango, Boutersem (BE)
Produced by Hugh Pool at Excello Recording, NYC (USA)
Mastering by Rufus Van Baardwijk at Hidden Gem Studio, Amsterdam (NL)

Artwork: Stephan Louwes
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Blues Messenger

Ruben Bertrands

The album cover for 'Blues Messenger' was snapped in Cabanyal, Valencia by the talented Antonio Souto (check out his project 'phonomatonexpress'), a couple of minutes after I made some recordings in the local church. Read more
The album cover for 'Blues Messenger' was snapped in Cabanyal, Valencia by the talented Antonio Souto (check out his project 'phonomatonexpress'), a couple of minutes after I made some recordings in the local church.

During the mastering of this album I realized these field recordings are part of the story: they capture a moment in time, just like the picture.

'Blues Messenger' is a tribute to the godfathers: Muddy Waters, Robert Johnson, Son House... After a decade of preachin' the blues, I really feel like the wayfaring stranger. The street can be a cruel mistress, but she don't lie.
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After Hours

Ruben Bertrands

This year I celebrate 10 years as a street musician. My partner in crime has always been (and will always be) the mississippi saxophone. There is nothing more efficient than throwing down with a harmonica and singing your Read more
This year I celebrate 10 years as a street musician.

My partner in crime has always been (and will always be) the mississippi saxophone. There is nothing more efficient than throwing down with a harmonica and singing your heart out. And that’s been my act, my persona, my main source of income for the last decade. Through the salt and glory of the years I played with piano players, loop stations, guitar players, beat computers, a capella, with backing tracks… you name it, I wailed it.

The downside to being a harmonica player is that you can’t accompany yourself and sing at the same time. That’s why, after a successful busking stint in northern Italy, I bought a cigar box guitar, and I learned how to make it talk. What came out was not blues, but country music.

‘After Hours’ is what I have to say after 30 years of living through, with and because of the music: it’s been my partner, my mistress, my anchor, my salvation, my identity, my medium… It's my best addiction and my worst friend, a thirst that can never be quenched.

When you listen to this record, pour yourself a lil’ poison and think about how your mistakes made you a better person. Because that’s what country music is about, in my humble opinion: the memory of Saturday night, in the forgiving light of a Sunday morning.

I hope listening to these songs is as wholesome for you as writing them was for me.
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Leuven Blues

Ruben Bertrands

It was a warm day in may, and the clocks were striking thirteen. As I approached Het Depot, I saw Roland Van Campenhout light a cigarette. I have to admit - I was a bit starstruck. The Godfather of Belgian blues, well Read more
It was a warm day in may, and the clocks were striking thirteen. As I approached Het Depot, I saw Roland Van Campenhout light a cigarette. I have to admit - I was a bit starstruck. The Godfather of Belgian blues, well into his seventies, was dressed as a blaxploitation pimp, while my headphones were blasting the haunting ‘Hissing Of The Heat’ - there he was, all smoke and class and joie de vivre - a true legend of the scene.

I was in over my head: last-minute cancellations, an outside stage with P.A. issues, student discount confusion, backline problems, time schedule tribulations… almost everything that could go wrong, eventually did - but at a certain point, you gotta let it go. So I found myself watching Roland and Stevo Harpo play ‘No Expectations’, amidst some three hundred kindred spirits in an incredibly silent Depot - and it felt wonderful.

I’ve listened to that recording many times over the last three years, and it still sends a shiver down my spine. There were many memorable moments that night - some of them included in this album - but this one remains my favourite. Because it was the right song at the right time - it catapulted me into the present, with no quarter asked and none given - and on breathless nights, when the moon is full and the cats cry for mercy, I like to go back there.

Now you can do the same.